There was a significant swing of the pendulum back to more linear music in the 1900’s, along with more dissonance and experimentation. Bartok, Hindemith, Stravinsky, Schoenberg, and many other composers wrote in an updated contrapuntal style.
Béla Bartók (1881-1945)
Mikrokosmos, Book 2, No. 60 Canon with Sustained Notes (Piano) [PDF] [YouTube] begin at 39:12, end at 39:56
Mikrokosmos, Book 3, No. 91 Chromatic Invention 1 (Piano) [PDF] [YouTube] begin at 1:05:53, end at 1:07:23
Mikrokosmos, Book 4, No. 101 Diminished Fifth (Piano) [PDF] [YouTube] begin at 1:16:40, end at 1:17:54
Mikrokosmos, Book 6, No. 145a Chromatic Invention 3a (Piano) [PDF] [YouTube] begin at 2:15:50, end at 2:16:59
Mikrokosmos, Book 6, No. 145b Chromatic Invention 3b (Piano) [PDF] [YouTube] begin at 2:17:02, end at 2:19:20
Concerto for Orchestra (brass fugato) (Orchestra) [YouTube] begin at 7:12, end at 8:10
Benjamin Britten (1913-1976)
The Young Person’s Guide to the Orchestra, Op. 34, Fugue (Orchestra) [YouTube] begin at 14:27 to end
John Cage (1912-1992)
Sonatas and Interludes for Prepared Piano, Sonata V (Piano) [YouTube]
Living Room Music (Assorted Noise Makers) [YouTube]